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Alexey Pashevin
He came to directing from CG and VFX — more than 13 years in the industry, from 3D artist to VFX supervisor. He's worked on feature films and advertising, and now he's the one in the chair.
I like shooting stories where live action, CG and AI live together: sometimes graphics build a whole world, sometimes they solve a specific shot, and sometimes a neural net becomes the main tool inside the production. What matters is that the tech serves the idea and the story, not the other way around.
I like being in a project from the start and at every stage: working the brief, putting the team together, shooting and generating with great specialists — and polishing it until it shines.
Cases
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